Revelation Song

Consuming Worship

Consuming Worship

The gathered people of God have always sung. Paul incorporates what appear to be familiar songs in his writing, John shares songs in Revelation, and the Psalms provided a hymn book for the early church. The earliest house church discovered in Syria dates to the early 3rd century AD and is covered with beautiful frescoes (one of which I include below). The church from the very beginning worshiped through art.

Gregorian chant developed in the 9th and 10th centuries and then expanded during the 16th century. The Reformers (with Martin Luther leading the way) wrote songs commoners sang along with.[i] A flood of church music was ushered in over the course of the 17th and 18th centuries as Baroque and Classical composers came on the scene and created timeless music for the church.[ii] But even with the advent of such a rich period of church music, it pales in comparison with what even the average churchgoer sings today. The pace of change has never been faster than it is today.

The church began to sing choruses in the 1970s, but they were catapulted to acceptance in the 1990s. Bands such as Delirious and Passion ushered in a new category of worship music that has dominated the Christian music industry and our sanctuaries for the past 30 years. Today we have access to worship music every waking hour through any host of devices and platforms.

In Defense of Love Songs to God

In Defense of Love Songs to God

“God isn’t your boyfriend!” It doesn’t take much Googling to pick out an assortment of articles skewering intimate love songs inappropriately parading as worship. “He is the almighty God, not your lover,” the criticism goes. “Don’t trivialize our holy, incomprehensible God.”

Is it really appropriate to sing, “I could sing of your love forever” or reprise again and again, “your love never fails, never gives up, never runs out on me”? Or how about “Revelation Song” where we sing, “You are my everything and I will adore you”? And of course, the most obvious offender: please tell me we should nix the embarrassing “How He Loves Us,” where we belt out, “And I realize just how beautiful you are, and how great your affections are for me,” and then the cherry on the sundae, “And heaven meets earth like a sloppy wet kiss.”

Let me stand up against the pitchforked crowd in defense of the modern worship love song. That isn’t to say that there aren’t plenty of songs out there that are weak theologically or that our diet of worship should be comprised primarily of love songs to God, but I do believe there is a place for us to sing love songs to God.

Consuming Worship

Consuming Worship

Last week we took a more positive turn as we considered how our identity as consumers impacts our devotional lives. We continue in that positive direction as we consider our experience as corporate and individual worshipers in today’s consumeristic environment.

Throughout this series I have tried to provide a broader comparative historic context. The inclusion of songs in worship was present from the earliest days of the church. Paul incorporates what appear to be familiar songs in his writing, John shares songs in Revelation, and of course the Psalms provided a hymn book for the early church. The earliest house church discovered in Syria dates to the early 3rd century AD and is covered with beautiful frescoes. The church from the very beginning was worshiping artistically.